Monday, October 24, 2016


Margaret Atwood published Hag-Seed as part of the Hogarth Shakespeare project along with some other writers like Jeannette Winterson who did an interpretation of The Winter's Tale and Gillian Flynn who is scheduled to do a Hamlet.  Atwood surely chose the most difficult play to reimagine - The Tempest, with it's sea disasters and magical island and all those mistaken identities.  I love a Shakespeare remix like nobody's business and, of course, Margaret Atwood is probably my favorite author, so I was pretty damn excited to see what she was going to do.

Felix is the artistic director for a Canadian theatre where he presents avant-garde productions of Shakespeare plays.  Right away he's ousted by his second in command, Tony.  Felix becomes something of a hermit and removes himself from society for a while, until he starts teaching Shakespeare to some prisoners at a local jail, under the name Mr Duke.  Sound familiar?  If it doesn't, you probably need to brush up on The Tempest.  I'm curious whether those who are not well-versed in the play would enjoy the book as much as one who isn't but my guess would be no.  Following the connections in part of the fun; wondering how she's possibly going to wrap it up, knowing the original ending, is like watching the master at work.  Anyway, it's a problem easily remedied, so, if you haven't read The Tempest before, give it a quick read before Hag-Seed and I think you'll find your experience improved.

Although Felix thinks things like "If anyone had told him then that he'd be doing Shakespeare with a pack of cons inside the slammer he'd have said they were hallucinating" he's actually a very good teacher with excellent critical thinking assignments for his players and a respectful attitude toward their strengths, with very little interest in their criminal backgrounds.

Shakespeare was famous for putting a "play within the play" and Atwood took that concept to the extreme.  At one point I think I counted five plays within the play but I did allow myself to get pretty meta - are we not all players upon the stage, etc.?  Hag-Seed is a joy to read and Atwood's joy in writing it is evident as well - she clearly knows the theatre very well.
Crises of confidence have been surmounted, grudges incurred, hurt feelings soothed. Felix has berated himself for his own lunacy in undertaking such a hopeless enterprise, then congratulated himself on his judgment. His spirits plunge, then soar, then plunge again.
  Normal life.

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